Writing With Abandon

Reflections and ramblings about life as an educator, writer, reader, knitter, and over-thinker. Trying to do the writing only I can do.

Category: Uncategorized

  • Planning, Projecting, Pacing

    I have a rare gift of a late-start morning, thanks to a doctor’s appointment, so I figured I’d take the time I still have before I head over there to write my slice.

    We’re coming off of a long weekend, and I happily spent some time on Saturday planning this week and next’s reading lessons and pacing out unit 2 (nonfiction). The lessons were the first that I’ve planned independent of Ana — huge step! Wow! — and I felt confident finally in how I was writing them. I used all the tools that I’ve acquired thanks to her:

    • The recipe for the perfect teaching point (the what + the how)
    • The TC learning progression for narrative reading (which I’m kicking myself for not using until now)
    • Rubric creation for the final assessment
    • Our pacing and planning guide with titles of each session

    And once I was done with that, I took a look at the next unit, even though I had many other things to do, because I’m geeking out over teaching it.

    To give some background, our school has not had a consistent reading curriculum since I started teaching there, so this year I’m planning out all new units using our power standards and other curricular resources (Shifting the Balance, Jennifer Serravallo, TC units of study) so that they reflect a) what our students need and b) are more digestible for them. This means that much of what I’ll be (and have been) teaching them asks them to raise the level of their reading and interpreting to a point they’ve never been asked before. Which is really hard. But I know they’re capable.

    For the nonfiction reading unit, I’m keeping in mind the fact that Adam Fachler highlighted during the Thinking Maps Training of Trainers course I took with him so many years ago: you can’t learn new skills AND new content at the same time. It’s one or the other. So, I’m choosing new skills. Rather than requiring students to read about topics they don’t know much about, I’ll have them choose a topic they “sort of” know about (as Ana said, lol), or really: a topic they know well, but can still learn more about. The goal of the unit will be clear from the get-go: to prepare for a “knowledge fair” where they’ll teach younger students about the topics they’ve researched.

    The skills I’ll be focusing on this unit are:

    • Note-taking to capture, organize, and synthesize information, using text structure to guide
    • Summarizing by identifying main idea and important supporting details
    • Writing about reading to teach others

    I’m hopeful that this nonfiction unit goes better than nonfiction units I’ve tried in the past. If the projecting and pacing stage is any indication, it’s already going well.

  • The Magic Happening

    I missed my slice last week, and it’s already 9:28pm, but Ana sent me a text saying she wants to show up even if it’s just for four lines, so I figured I could do that too!

    The last couple weeks have felt nonstop, more so than in years past, and in spite of us having a fairly easy class behaviorally. When my nervous system gets disregulated due to outside factors, I often feel like I won’t be able to get it all done and just want to crawl into a hole and stay there for a while.

    Our head of schools gave me the advice of being present and focusing on the magic happening right in my classroom, so that’s what I’m going to try to do for this slice—think of four magic things that are happening.

    Here goes:

    1. A morning meeting activity: sentence types. A BrainPop image of the two presidential candidates. Students turning and talking and sharing smart and serious and funny sentences.
    2. All four committees of our Flying Solo play adaptation, fully engaged and working in tandem towards our November show. Their wonderful ideas. Quieter students speaking up.
    3. The way a few of our students take such care of our space—keeping stock of supplies, making labels for everything, organizing the pillows, color-coding the library shelves, folding the table rags, knowing who has what job when, following *most* of our routines.
    4. A reading conference with a student, starting her book together and helping her monitor and clarify, then watching as she made an un-prompted inference, and with guidance, found text evidence to support it. 🥹
  • Reggio, Meet Ralph.

    This summer, at the Quoddy Institute, one of the other teachers (I think it was Cheri!) mentioned that she and her 5th graders always start the year reading Ralph Fletcher’s Flying Solo, a book about a class of 6th graders and what happens when one day, neither the teacher nor his substitute show up. She told me how one year, they even did their own experiment where she and a colleague didn’t go back to the classroom after recess, instead watching what ensued from the window across the playground. Fascinating, I thought! I immediately went to my Amazon app, added it to my cart, and hit “purchase.”

    I read the book quickly before school started, then gave it to Kim to read as well. It’s short, around 150 pages, and it was perfect for the first read aloud as it had a great theme about integrity and would give them plenty of practice making inferences about story elements. I figured we’d read it within a couple weeks, then launch into Starfish by Lisa Fipps, a favorite from last year.

    But each day that I read Flying Solo to my fifth graders, I uncover another layer of the book that I hadn’t noticed before. Like how many references there are to democracy, or all the time jumps there are (perfect for teaching about the importance of flashbacks!), or Ralph’s excellent use of figurative language.

    And my students’ reactions have been unexpectedly thoughtful as well. It’s a fun book, a real kids’ book, so they’ve been very engaged from the beginning. But they’ve also shown deep empathy for some of the meaner characters (like Bastian, who teases the other kids, but “is probably doing that because he’s sad about moving and his dog, Barkley,” one of my students said). They’ve made many predictions about Rachel and whether or not she’ll speak by the end of the story. They laugh at Christopher saying “fact” and “opinion,” roll their eyes at lame jokes (and widen them at the can’t-believe-she-just-said-that jokes), and cheer on the students who stand up to the others. They endlessly wonder how Tommy Feathers died, shocked and saddened that it could happen to someone so young.

    They’ve practiced summarizing for their classmates who have been out sick, have distinguished between primary, secondary, and tertiary characters, and have talked endlessly about the plot and how they wish there was a movie.

    This is where the Reggio spark really begins:

    Two of our girls were walking alongside me in the hallway on the way to lunch when one said, “This book should be a movie!”

    And I replied, “I want to make that movie!” (Laughing to myself because the other night, as I told P about the book, he and I both said we could imagine it so clearly as a play!)

    Our conversation continued through the lunch line as we grabbed our plates, then sat at the lunch table with Kim and three of our boys. I opened up the Otter app to record our conversation, and let their ideas bubble up and build on one another:

    “We could do it for a show!”

    “We’d need another person that’s Rachel that speaks for her, because so much is going on inside her head. Like a voiceover.”

    “We could rehearse during read aloud.”

    “We could pick out the characters and think of ideas, act it out, and maybe write our own script. Or you can pick ideas from it?”

    “We might need to cut some of the characters that don’t have that many character traits.”

    “I want to be Rachel!”

    “I want to be Jessica!”

    “I want to be Christopher!”

    “Hold on,” I said, the gears turning in my head. Could this work? Could we make this happen? “I’ll need to email Ralph for permission first.”

    He replied within the half hour: “Yes, you have my permission…that would be really great.”

    We told the students at the end of the day and they cheered! That was yesterday. Today, they’ve been talking about it nonstop throughout the day. Ralph sent us a video of him talking about the book, which we watched in closing circle. This Thursday we’ll finish it and next week we’ll start our talks about writing a script. We’re all a little bit in disbelief… and a lot a bit excited.

    And that is how a Reggio project is born.

  • Starting With What They Know

    This is my second presidential election season as a 5th grade teacher and third since I started teaching. I can still remember that morning in 2016. I took the train uptown to Washington Heights, heart hurting for the third graders I would greet in my classroom. The train was so quiet. New York felt gray and sad, in mourning for the hopes we’d had, in disbelief at what was to come. It was like a somber layer, blanketing everything.

    In 2020, I was at home, teaching remotely. When Georgia turned blue, I flew out to the streets, cars honking, screaming an exasperated “YES!” Later that evening, I followed the cheers into Central Park where there was a celebratory roller disco happening.

    Election season is different this year. I live in Miami, in the heart of a not-really-swing state. I have to bite my tongue when certain topics get brought up, and dig my heels in when others do. Still, it feels like there’s some hope, especially after the change in the summer.

    But my own political views are not what I came here to write about, and they’re certainly on display in my classroom. That said, politics comes up in our classroom every day.

    As defined in Usborne’s Understanding Politics & Government, an excellent informational comic book about the topic, politics “actually covers the way people make decisions about how to work together in all kinds of groups, big or small.”

    Politics comes up when the students share that they’re starving before lunch and can’t concentrate on reading, so we decide to swap reader’s workshop and read aloud and bring an extra fruit from our early snack to munch on when we start to feel the hunger pangs. Politics comes up when the students vote on whether we should stay indoors for recess or risk going out when there’s a dark looming cloud over the playground. Politics comes up when one student tells her friend that Kamala Harris would be the first “Black woman president” and the friend replies, “the first WOMAN president at all!”

    In Reggio Emilia-inspired schools, we follow the children’s lead, listen to their theories, and give them the tools to prove or disprove those theories. As teachers, we keep in mind the skills they need to practice and the main content they need to know before they move on to the next grade. We go deep, instead of broad.

    The presidential election is happening, and our students are hearing about it. It’s important that they understand the basics of our government, their rights and responsibilities as citizens, and how an election works.

    But we start with what they know. So yesterday, we did just that.

  • A Better Reading Teacher

    My hope and dream for 24-25

    This year, my ninth year as a lead classroom teacher, is the year I want to tackle reading. My first few years in the classroom, I focused on dual language learning, math, and classroom management. Then, project based learning followed by writer’s workshop.

    Every year I’ve held off on reading. I’ve dabbled in it, I’ve led interactive read aloud and book clubs, I’ve ensured access to books and (mostly) protected independent reading time. But reading instruction? It’s always been a struggle. First, because I was teaching in dual language classrooms, later because it was just one more thing on top of all the other stuff I was doing.

    And mainly, because it just felt hard! Reading is something I love, but I don’t know how to teach, at least for upper elementary. Upper elementary is challenging, because we don’t get the training in phonics to help teach our students who have gaps. The students who are still learning TO read, and aren’t yet ready to confidently use reading to LEARN.

    But it’s time. I have to face it.

    So this year, my goal is to become a better reading teacher. This will include designing and developing reading units that are aligned with our new power standards, as well as implementing age-appropriate small group lessons for those students who need fluency and decoding support.

    We started by designing a launching unit to get the students excited about reading. The lessons included: cuing students to notice that we see reading EVERYWHERE; asking students to get curious about how they and their grownups learned to read; sharing some of the science of reading for students; sharing some fun reading history facts so students could realize how reading is a privilege; and helping students take ownership over their reading journals and the why/how of talking and writing about their books.

    Ana jokes that we should sell the unit, and I shake my head, but then I think, maybe we should! Because excited about reading? They most definitely are.

    Student jots, later categorized. My favorite has to be the Twilight Gossip!
  • On Letting Go and Watching Her Fly

    There’s something about teaching Writer’s Workshop that I feel oddly possessive about. It was something I grasped tightly to after meeting Ana, moving to Miami, and starting to work at KLA. It helped me through a tough couple of years in my personal life. It was something that I had control over, and which brought me and my students joy. It got me writing again, got me to see myself as a writer, just like I hope my students will see in themselves.

    So, letting go of it as a subject that I teach, that I plan, feels… scary, and uncomfortable, followed by guilt that I feel that way. It’s like a blanket being pulled off the bed that I’m still clutching to a corner of because I am desperate to stay snuggled up in it, even though I know the blanket is big enough for me and another.

    But that fear and discomfort gets replaced by awe and pride each time I watch Kim lean in and open up to the students, whose eyes light up with her stories. Every time I watch her implement all that she’s learned in just one year. There’s no doubt in my mind she will teach them so wonderfully. And I’ll be right beside her to support, to model conferencing, to be her mentor.

    “Writers, today I want to teach you,” she says, using that predictable language. And teach them she does.

    I can’t wait to watch her fly.

    Kim reading one of our student’s stories out loud, just like Georgia Heard did for us at the Quoddy writing retreat.
  • The First Writer’s Workshop

    It’s 5:30am and I’ve already been up for an hour. I’ve been struggling with morning insomnia for a few months now — waking up around 4 or 5 to pee, and unable to quiet my brain enough to fall back asleep. I have a notebook beside my bed to help me dump these thoughts, the goal being to train my brain to deal with them later, but tomorrow is moving day and so I’m too excited to settle back down.

    Besides, it’s the perfect time to get my slice of life out of the way. And I do have a goal for my Tuesday slices, now that the school year has started — I’d like to document a year in the life of a 5th grade teacher and her class and the learning we all do. So I thought I’d begin with the first Writer’s Workshop.

    ***

    This year is a little different. It’s the first year at KLA that I don’t have Ana in the classroom across from mine or down the long hallway, and it’s not because she’s on maternity leave or has moved away. Ana has gotten the job we’ve all been hoping for (and more!): instructional coordinator. This means she is more available to do coaching work with teachers, coordinate curriculum for the school, help streamline and align all-school practices, and so much more. This spring and summer, she also wrote a whole new WW launching unit for us: The First 20 Days of Writer’s Workshop, a beautiful unit that emphasizes talk, encourages teachers to join in the writing, and keeps writers in their notebooks to help them develop a strong repertoire of strategies for generating ideas of what to write about.

    To be honest, my head hasn’t been in the right place since starting school, what with everything that’s been going on (see my last post), but I knew I needed to start this year off right with a first Writer’s Workshop lesson that would hook my writers. That need became even more apparent when, during our morning meeting share, students expressed their feelings (good or bad) about writing — some saw it as something to enjoy, when they got to write made up stories or jot down their feelings to destress, while others cited it as being boring, hard, or tedious, unless they were passionate about the topic.

    I knew this first lesson would be important in convincing my reluctant writers that maybe, just maybe, there could be something to enjoy about writing this year. (And I have verbal — and written — proof from previous years that I’ve been able to do this. Many students who previously didn’t like writing either fell in love with it or found the utility in it.)

    So, as they gathered on the rug in rows for the first mini-lesson, I took a breath, told them I needed a moment to put on my writing teacher’s hat, and then leaned in close, as if letting them in on a secret: “Good morning, writers.”

    Envisioning language, a suspenseful story, big eyes and smiles, audible surprise — I wish I could have filmed the lesson from my perspective. It was a beautiful example of engagement, when every single kid is there with you, one of the utmost highs of teaching.

    And then, the planned conversations for oral rehearsal — one partner talking, the other asking follow-up questions. By the time I sent them off to write, there was no question that the notebooks would be filled. When the timer beeped, you could feel that they would have kept going.

    But it’s the first six weeks of school. The first 20 days of writing. And so we go slow to go fast.

    I’m ready for day 2.

  • For Ana

    Because writing partners show up for one another!

    My brain is FRIED.

    What a week! Back to school, finding an apartment, applying for said apartment, booking movers, booking the elevator for move-out, awaiting final approval from the association, finishing my sweater, filing for divorce, organizing the classroom, thinking about first day and first six weeks plans, meetings meetings meetings, interviewing new teachers with no time to spare, interviews with families of incoming students over Zoom, rescheduling interviews, gathering boxes from school supplies to bring home to fill with things that I need to move, new math workbooks and textbooks, a fire drill not for a fire but for a burst pipe from a plant truck whose driver f-ed up, rescuing the paper!, and that oppressive heat on the walk home every day. It’s a whirlwind.

    I am grateful, as ever, for my people.

    I am also sorry, to said people, for the brain farts that I continue to have.

    “Kim, we should, um… wait… I just had it! ARGH! It’s gone.”

    I think I have started more sentences than I have completed today.

    But now, just after 9pm, I am finally on the couch after packing up most of the kitchen, and I feel accomplished.

    My classroom is ready for parents and students to see it tomorrow.

    The first day plans are set.

    I’ll sign off with my past few days in pictures.

  • A Robot in the Rain

    In Miami, especially in my neighborhood, you can see autonomous delivery robots everywhere. I’ve almost been run off the sidewalk by one before! On my block in particular, we often see the robots stopped on the corner, blinking their red heart eyes as they tentatively make to cross the street. Once, we saw one at each of the four corners, waiting patiently for their turn to cross and continue on their journey to their destination.

    Sunday afternoon, on our way back from the grocery store, the sky opened up and it started to rain. We hid under a building for a while, but then decided to just go for it. As we ran-walked the two blocks home, squealing (“it’s worse under the trees!”), I saw a lone delivery robot hiding under the overhang by the garage entrance.

    In that moment, I saw it not as a robot, but as a small puppy, shivering as it tried desperately to keep dry.

  • My Day

    Tea with Eleanor, Campobello Island

    What is it about inspiring stories that make one tear up? I think all of us in the tea room were welling up as we listened to the stories the docents told of Eleanor Roosevelt’s childhood, dedication to human rights, and fierce independence and bravery.

    This afternoon, on our second day at the Quoddy Writing Retreat for Teacher Renewal with Ralph Fletcher and Georgia Heard, most of us headed out on a little field trip to Campobello Island across the bay to have “Tea with Eleanor” and tour the cottage where the Roosevelts spent most of their summers.

    As I rode in the back seat of Ralph and Jo Ann’s car, our phones switched to Atlantic Daylight Time. We drove out to Herring Cove Beach, collected pebbles and sea glass, then it was over to tea, where I learned so much more than I ever had about Eleanor. (Fun side note: one of my favorite books as a kid was A Letter to Mrs. Roosevelt by C. Coco De Young.)

    One of those new facts was My Day, her 500-word daily news column that she wrote 6 days a week for 27 years, only missing a few days after her husband’s passing. The original Slice of Life, I think (and the inspiration for today’s post)!

    I left the session with the delicious aftertaste of gingersnaps and tea lingering in my mouth, and a desire to learn more. Next we went to tour their cottage, where we saw the desk at which she wrote all of her thousands, maybe millions, of letters.

    Now it’s off to the one supermarket on Lubec to get a bottle of wine to share, and dinner with Ana by the water to watch the sunset!